S Magazine, Issue 13
In the grand tradition of German metamorphosis, actor Alexander Scheer changes constantly, just as his beloved Berlin does. From playing a classical villain to being a rock god, from experimental theatre to international film festivals, from iron curtains to nonstop curtain calls.
The past is a foreign country, so the saying goes, and the past for German actor Alexander Scheer is hardly metaphorical terrain. “I was born in the East and when I was 14 there was a revolution and then suddenly I was in the West.”
The result, he says, was that “everything I had thought, everything I was used to, was suddenly turned upside down. It was wonderful.” Scheer’s story as an actor is thus the story also of his birthplace, Berlin. As a teenager growing up, he relished in the sudden anarchy and chaos that came with the fall of the Wall. Today, as one of the most successful stage actors of his generation, and with a burgeoning international film career, Scheer still lives in a state of perpetual flux, switching between genres and even art forms with a feverishness that masks the ease with which he does it. “Berlin is still constantly changing. You can’t ever say it’s a certain way. It’s just like me.”
Having started out doing underground theatre and modelling in the newly reunified city, Scheer, 35, had his breakout film role in the 1999 comedy Sonnenallee, before he embarked on a ten-year odyssey through Germany’s theatrical landscape, even as he returned repeatedly to his first love, cinema. His first big English-speaking televised role came in 2010, depicting the dangerous right-hand man to the international terrorist Carlos, in the eponymous five-hour thriller. He’s now to star in an experimental theatre production of Dostoyevsky’s The Gambler at Berlin’s legendary Volksbühne, while his latest shoot, slated for release in November, is a children’s fantasy film, in which he plays, of all things, Santa Claus. It’s an endearingly uncool part for Scheer, perhaps the most rock-n-roll of all German actors.
Read the full article here (PDF):