GlobalPost, September 26, 2012
BERLIN, Germany — It’s the height of the Cold War in 1980. The authorities punish a female doctor from Communist East Berlin for applying to leave the country by banishing her to a provincial town. Under constant surveillance by the Stasi secret police, she’s determined to escape and join her lover in the West — until she’s gradually drawn to a fellow doctor in the ramshackle country hospital in which she now works, where she also develops a sense of duty toward her patients.
The tensions in Christian Petzold’s film “Barbara” have captivated audiences here since it premiered at the Berlin International Film Festival in February. It won the event’s Silver Bear prizes for best director and best actress and went on to win best film at the German Film Awards. Now it’s been selected as Germany’s submission for best foreign-language film to the American Academy Awards next spring.
The latest in a series of hit films to explore life in East Germany, it’s a strong choice.
Actress Nina Hoss, who’s starred in four previous Petzold films, plays the title’s eponymous protagonist with a restrained, nuanced performance. A glamorous Berliner, Barbara struggles to adjust to a lonely existence in her new home near the Baltic Coast. Quietly defiant, she’s subjected to regular humiliation, including full body cavity searches. She suspects everyone she encounters.
Rightly so: The local Stasi bigwig orders Andre, the hospital’s chief physician, to keep an eye on her. Despite the pair’s initial mistrust, however, their shared professional concern for two young patients prompts them to begin forming a bond. Continue reading