GlobalPost, September 26, 2012
BERLIN, Germany — It’s the height of the Cold War in 1980. The authorities punish a female doctor from Communist East Berlin for applying to leave the country by banishing her to a provincial town. Under constant surveillance by the Stasi secret police, she’s determined to escape and join her lover in the West — until she’s gradually drawn to a fellow doctor in the ramshackle country hospital in which she now works, where she also develops a sense of duty toward her patients.
The tensions in Christian Petzold’s film “Barbara” have captivated audiences here since it premiered at the Berlin International Film Festival in February. It won the event’s Silver Bear prizes for best director and best actress and went on to win best film at the German Film Awards. Now it’s been selected as Germany’s submission for best foreign-language film to the American Academy Awards next spring.
The latest in a series of hit films to explore life in East Germany, it’s a strong choice.
Actress Nina Hoss, who’s starred in four previous Petzold films, plays the title’s eponymous protagonist with a restrained, nuanced performance. A glamorous Berliner, Barbara struggles to adjust to a lonely existence in her new home near the Baltic Coast. Quietly defiant, she’s subjected to regular humiliation, including full body cavity searches. She suspects everyone she encounters.
Rightly so: The local Stasi bigwig orders Andre, the hospital’s chief physician, to keep an eye on her. Despite the pair’s initial mistrust, however, their shared professional concern for two young patients prompts them to begin forming a bond. Continue reading
S Magazine, Issue 13
In the grand tradition of German metamorphosis, actor Alexander Scheer changes constantly, just as his beloved Berlin does. From playing a classical villain to being a rock god, from experimental theatre to international film festivals, from iron curtains to nonstop curtain calls.
The past is a foreign country, so the saying goes, and the past for German actor Alexander Scheer is hardly metaphorical terrain. “I was born in the East and when I was 14 there was a revolution and then suddenly I was in the West.”
The result, he says, was that “everything I had thought, everything I was used to, was suddenly turned upside down. It was wonderful.” Scheer’s story as an actor is thus the story also of his birthplace, Berlin. As a teenager growing up, he relished in the sudden anarchy and chaos that came with the fall of the Wall. Today, as one of the most successful stage actors of his generation, and with a burgeoning international film career, Scheer still lives in a state of perpetual flux, switching between genres and even art forms with a feverishness that masks the ease with which he does it. “Berlin is still constantly changing. You can’t ever say it’s a certain way. It’s just like me.”
Having started out doing underground theatre and modelling in the newly reunified city, Scheer, 35, had his breakout film role in the 1999 comedy Sonnenallee, before he embarked on a ten-year odyssey through Germany’s theatrical landscape, even as he returned repeatedly to his first love, cinema. His first big English-speaking televised role came in 2010, depicting the dangerous right-hand man to the international terrorist Carlos, in the eponymous five-hour thriller. He’s now to star in an experimental theatre production of Dostoyevsky’s The Gambler at Berlin’s legendary Volksbühne, while his latest shoot, slated for release in November, is a children’s fantasy film, in which he plays, of all things, Santa Claus. It’s an endearingly uncool part for Scheer, perhaps the most rock-n-roll of all German actors.
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smag13 – alexanderscheer
The Guardian, September 16, 2012
In today’s eurozone crisis, it is little remarked upon that Germany has done financial bailouts before.
Nowhere is that more apparent than in Leipzig, one of the success stories of the former East Germany. Big companies such as Amazon and DHL, BMW and Porsche, have created thousands of jobs by moving operations to what is now an attractive business and cultural centre. New roads, rail links and a redeveloped airport have acted like magnets for investment. The population has increased by 10% to 530,000 over the past 10 years.
But Uwe Albrecht, the city’s deputy mayor, is under no illusions about who needs thanking for the sudden renaissance. “Without the financial boost from the transfers from the west, it would not have been possible,” he says, referring to approximately €1.3 tn (£1tn), which has flowed from west to east since reunification.
The enormous costs that the country has shouldered since the Berlin Wall fell in 1989 have pushed many to the limits of their generosity. Richer regions are complaining about constantly having to fork out for poorer states via the federal system of equalisation payments, and Bavaria has even filed a complaint with the constitutional court.
Read More: http://www.guardian.co.uk/world/2012/sep/16/leipzig-proves-value-bailouts-germany
Kate Connolly in Berlin, Ian Traynor in Brussels and Siobhán Dowling in Leipzig
The Guardian, September 16, 2012
Uwe Albrecht has what he calls a wonderful problem. In his office in Leipzig’s fortress-like town hall, the deputy mayor says the city’s population has grown so much in the past decade that he is having to build more kindergartens and schools.
“Ten years ago we were talking about closing schools,” he said.
Now Leipzig is one of the success stories of reunification. New roads, rail links and a redeveloped airport have sucked in investment and international companies. But none of it would have happened without a colossal 20-year bailout that has already cost the west €1.3tn. “Without the transfers from the west, it would not have been possible.”
With Europe slumped in an existential crisis, looking both desperately and fearfully to Germany to supply the leadership and the money to match its clout as the EU’s central power and biggest economy, it is often forgotten that Berlin is a past master at financial bailouts. Which is why it is also weary of them.
Read More: http://www.guardian.co.uk/world/2012/sep/16/germany-resentment-guilt-savers-euro-crisis